For a long time, Singapore’s artistic and national identities have been imbricated in the tropical imaginary. Our relationship with the environment remains largely driven by the human-centric drive towards economic development, often at the cost of environmental destruction.
Taking into account the long tradition of depicting tropical landscapes in Singapore’s modern art history and the discourses that have shaped them, it is time to renew our understanding of the nation’s identity as a Garden City and reconceive our role within it in a way that truly recognises the interconnectedness between us and the natural world.
The exhibitions tropics, a many (con)sequence | A Solo Exhibition by Kent Chan, and Ng Eng Teng: 1+1=1 as well as its adjoining work of ‘Tropical Rhapsody’ at the Conservation Corridor are up for view at the third floor of the NUS Museum.
[1] Foo Su Ling, “A Mural in the New Nation,” in Working the Tropical Garden (NUS Museum, 2010).
[2] “Singapore to become beautiful, clean city within three years,” The Straits Times, May 12, 1967, http://eresources.nlb.gov.sg/newspapers/Digitised/Article/straitstimes19670512-1.2.20.
[3] Bertrand Seah, “Another Garden City is Possible: A Plan for a Post-Carbon Singapore,” in Eating Chilli Crab in the Anthropocene: Environmental Perspectives on Life in Singapore, ed. Matthew Schneider-Mayerson (Ethos Books, 2020).
[4] Huang Lijie, “New Show of Ng Eng Teng’s work at NUS Museum,” The Straits Times, Apr. 16. 2016, https://www.straitstimes.com/lifestyle/new-show-of-ng-eng-tengs-work-at-nus-museum.