Q: What made you decide to become a docent?
I first visited the NUS Baba House in July 2015. It was by chance that I found out about the docent training program a week before my visit. I fell in love with the house immediately! It was as though I had stepped back in time.
I had recently moved back to Singapore after living abroad with my family for seven years in Turkey, France, and India. I had lost my father to cancer and returned home to look after my mother. My years abroad made me more aware of my cultural identity. My son’s birth spurred me on to dig deeper into my roots so I could teach him about our Peranakan heritage, just as my Dad had taught me.
Becoming a docent at the Baba House was a homecoming of sorts for me, a way to connect to my roots. I think my Dad would have been proud of me because in his retirement, he was a docent too, at a military museum. We had a shared love of history and antiques.
Q: What are some of the most memorable moments during your time guiding at the Baba House?
We get quite a number of foreign visitors at the Baba House and sometimes they point out similar artifacts that they have seen among their family heirlooms, such as the Victorian ceramic water filter in the kitchen.
One of my guests, an elderly Englishman, told me a bit about the history of such filters because he collects them. He said that in 1835, Queen Victoria had commissioned the Doulton ceramics company to design an elegant but practical water filter for her own use. Cholera was a common problem during that time, and these ceramic filters made water safe for drinking. I was happy to learn something new from a guest!
I also really enjoy guiding children because they are so naturally curious and view things with such wonder. When the Baba House started Children’s Tours in January this year, I guided a group of primary school children. They were very inquisitive and asked some questions that stumped me, like “Where did the family put their shoes after coming home?” or “What did they feed the dogs?” (after I pointed out the dog paw prints embedded in the floor near the ancestral altar.)
Q: In what ways are a docent’s role important in the museum education landscape?
I believe that a docent, in a nutshell, is a trained storyteller who brings a museum and its artifacts to life.
Essentially, museums exist for education and enjoyment. I’d also like to think that they encourage people to think about humanity.
But like it or not, museums can sometimes be pretty dull to visit, no matter how much information is written on the artefact labels. Visitors can walk around and view beautiful things but still come away with no sense of wonder or connection to what they have seen.
On a guided tour, a docent tells you stories about an object or painting; about its past and its importance in history; about its cultural significance, the people connected to it, and how it was made or used. Listening to such stories could trigger a memory or evoke an emotion. This makes a museum visit so much more meaningful.
Best of all, docents can help to answer questions you have about what you’ve seen or heard. An audio guide can’t do that!
Q: What advice would you give to students or youth who are interested in volunteering with museums?
If you are curious about a certain subject and are keen to learn more, becoming a volunteer docent is an enriching way to do that.
Docent training at the Baba House lasts about four months and is quite detailed with a good amount of research materials to study. We had good mentors and had experts in different fields give us talks about Peranakan history, culture, cuisine, architectural conservation and symbolism of motifs found in the house.
I would encourage anyone interested in volunteering with a museum to first experience it on a guided tour with a docent if possible. That way, you will get an idea of what will be expected of you, and also experience how a museum visit can be so much more meaningful with a docent.