May 11, 2020
“…I think it’s also strange that we tend to think of publications as sort of secondary materials. Particularly in the context of an exhibition catalogue, there’s the usual idea that the publication merely functions as an index to the exhibition (like Adam’s rib, perhaps?) This is strange because a publication typically outlasts the duration of any exhibition, one month, three months, a year, and what have you – such that our only way of ever accessing the exhibitions are through the publications themselves. In such a setting, I’m no longer sure if the publications are to be read merely as secondary documents or as controlling texts themselves. Paratexts that we would have to read and go through in order to have any sort of access to the exhibitions.” (Kenneth Tay, CONCRETE ISLAND, p. 7)